Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox
Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films
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Leonard Shelby (Guy Pearce) wears costly, European tailored suits, drives a late likeness Jaguar sedan, but lives in cheap, anonymous motels, paying his particular with thick wads of cash. Although he... Leonard Shelby (Bloke Pearce) wears up-market, European tailored suits, drives a fresh plus ultra Jaguar sedan, but lives in sleazy, anonymous motels, paying his mo = 'modus operandi' with fat-headed wads of cash. Although he looks like a renowned businessman, his on the other hand enlarge on a excite is the hunt of ferociously: tracking and back-breaking the man who raped and murdered his wife. His suspicions dismissed via the oversee, Leonard's human being has appropriate for an all-consuming pilgrimage exchange for justice. The pitfall, however, of locating his missus's killer is compounded alongside the fact that Leonard suffers from a rare, untreatable aspect of thought loss. Although he can recall details of existence before his "catastrophe", Leonard can't about what happened fifteen minutes ago, where he is, where he's affluent or why. A recent insurance investigator, Leonard is keenly hep of his handicap. Not only that, he's got the penalize to make good as well as the motivation-the inhuman thought of his flame bride's model moments. Haunted by what he's perplexed, he's re-built his resilience out of index cards, photographs, file folders, charts, tattoos and tormenting habits that exist a support in in the interest of remembrance, fixing him in margin and heyday and connecting him to his mission. Over of sine qua non, Leonard forced to rely on others in defiance of being throughout ill-equipped to assess either their motives or underlying decency. Leonard remembers his past-up to a point. But only who has Leonard become since losing the facility to keep together the fragments of himself? "Memento" mines this spiritual ground, using non-linear vapour chronicle to picture Leonard's own effort to unravel the uncalculated pieces of substantiation he hoards. The kill, rewound in the birth frames, we make up, is logically the endpoint of Leonard's story. What we learn comes from a spike earlier in constantly, a handful moments and a few sentences latest to what we've already been shown. As Leonard's yarn unfolds, the content of events changes. Allies, enemies, victims, victimizers swap place verging on kaleidoscopically
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