Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef, Mario Brega, Aldo Giuffre, Chelo Alonso, Luigi Pistilli, Rada Rassimov, Enzo Petito, Claudio Scarchilli
Director: Sergio Leone
Producer: Alberto Grimaldi
Story: Luciano Vincenzoni
Composer: Ennio Morricone
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Arguably united of the greatest Westerns of all for the nonce at once, The Good, The Bad And The Ugly is, in behalf of anyone’s fistful of dollars, certainly at one of the most memorable. Without speaking a word of English, Sergio Leone’s Spaghetti Westerns reinvigorated the brand, forging a astonishing bird's-eye of the American West in Spain and Italy.
With a dusty burnish of iconographic unemotional that defied its budget and dubious dubbing, the picture not just withstood the passage of dilly-dally but has grown in stature, barely containing its own legend. A triumvirate of gunslingers crossing and double-crossing at every moment, Leone’s ultra-antagonistic protagonists are brilliantly captured by the three leads, with fortune constantly seesawing between a squinting, world-weary “A-ok” (Clint Eastwood), cruelly twisting “Bad” (Lee Van Cleef) and the vile despite everything comically sympathetic “Plain” (Eli Wallach). Each after a Confederate gold stash covert in a soldier’s grave, they are reluctantly pinched into the American Domestic Struggle, its carnage adding a line of honourable enquiry to their avarice. But the triplet are gods of greed amidst a cannon fodder supporting turn, and entire lot builds road to a dramatic three-way apex of bestiality, the quick cuts and outermost close-up tenseness exacerbated at near Ennio Morricone’s magnificent trumpet score.
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