Starring: Emma Roberts, Natasha Richardson, Shirley Henderson, Aidan Quinn
Director: Nick Moore
Screenwriter: Kate Kondell, Daisy Donovan, Lucy Dahl
Producer: Tim Bevan, Eric Fellner, Diana Phillips
Studio: Universal Pictures
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Wild Sprog is one of those delinquent pleasures, a bit like In any case by dint of Girls and Thirteen Contemporary On Thirty, which cuts auspices of all acquired patinas of savoir faire and with level to the inner twelve year elderly mouse inside.
Poppy (Roberts) is a fairly conventional LA young man, self-obsessed, vacuous, spoiled and utterly sheltered. After the expiration of her mamma, she and her father (Quinn) have been increasingly reserved; he makes up against it by means of showering her with components goods and funds while failing to award her the notice she craves; when a prank finally goes too long way, fairly than dealing with her rightly he packs her off to an English boarding school – worse, an all girls’ English boarding college - where she is expected to learn lacrosse, fraying a gruesome uniform, and cuffs her flexible phone over to Matron (Henderson, in the gal friday of two roles this week). Her pop, and the headmistress (Richardson) confidence that some discipline inclination coin Poppy into a lady.
And of despatch it works. After some initial – and frankly not too naughty – acts of revolution (these girls don’t even smoke, ease up alone do drugs), Poppy is won over and beyond nearby our British charms. She discovers that her dorm mates, including ‘Angus, Thongs and Talented Snogging’’ Kimberly Nxon and ‘Atonement’s’ Juno Place won’t countenance her brattish ways and, realizing that her friends in LA have forgotten her, decides to knuckle down and grab on with things. And in spite of she makes an contender of the dominatrix-lite loaf girl Harriet (Georgia Ruler) she discovers there are compensations in the pattern of Freddie (Pettyfer), the Head’s adroit son, who is forbidden to old hat modern the girls.
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